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The new 2017/18 season is fast approaching, but before we reveal the new Programme we are taking a look back on the past year's events to see what gave us food for thought in 2016 and 2017.

2016/17 Arts Lectures

For the first lecture, Architecture is Political, in October, Professor Albena Yaneva explored the intriguing links between architecture and politics. Professor Yaneva explained that her research crossed many boundaries including science studies and political philosophy. Her talk showed how politics has an influence on so many parts of our lives – from mundane objects such as the safety belt in our cars to the arrangement of a classroom; the height of a bridge or iconic skyscrapers, and she illustrated her talk with case studies including the new Birmingham New Street Train Station and the Bolshoi Theatre in Moscow.

Early Maps of ‘Real’ Lancashire, and Their Makers was the fascinating lecture in November given by Dr Ian Saunders, who has collected and researched antique maps since 1984, and recently helped to discover an unknown 1604 map in a Manchester Library. He traced the story of English county mapmaking and of the people involved, over many centuries, starting with Christopher Saxton in the 1570s; then looking at 18th century improvements as modern methods of mapmaking were being established and taking the audience through a myriad cartographic changes to what he called a perfection “of sorts” in the Victorian era, when the Ordnance Survey began to map the area in the 1840s.

When Edouard Manet’s painting Olympia was first exhibited in 1865 at the Paris Salon, he found himself once again at the centre of controversy.  His choice of a prostitute for his subject outraged public and critics alike.  But in his lecture 1865: European Painting in Transition to Modernism, in November, art historian Dr Colin Bailey highlighted the significance of Olympia as a pivotal work in the history of art, and how Manet was a key player in the decade that gave the world Impressionism, for he exerted great influence in Paris on other young painters such as Monet, Renoir, Cezanne and Pissarro.   These developments in France had an influence on British painters and the evolving Pre-Raphaelite school.  Dr Bailey’s illustrations included Ford Madox Brown’s oil painting Work, which was later to feature in his murals in Manchester Town Hall.

The Lecture with Recital given by Simon Rees and Luke Starkey in February, provided a feast of fascinating information, delightful music and beautiful paintings, and was greatly enjoyed by the audience.   Simon Rees, writer, lecturer on music and art, traced the history of the lute from the roving horsemen of the Asian Steppes who created portable instruments with materials to hand, and its further development along the Silk Road and into Europe.   The beautiful sound and shape of lutes inspired Western composers and artists through the 14th to 18th centuries.  Paintings were shown, such as Caravaggio's portrait of a lutenist, many of which enabled modern lute-makers to re-create authentic period instruments. Professional lutenist Luke Starkey explained the complex history of stringing and the unique written form of compositions, understandable even today only by lute players.   He then played examples of compositions from each period of the paintings.

The Recording Britain lecture in March by Gill Saunders , from the Victoria and Albert Museum, was an account of the country in the early years of the Second World War as portrayed by artists of the time. Partly a morale-booster, this unique documentary project aimed to capture Britain at a time when lives, landscapes and precious buildings were under threat as change stalked the land.   Many of the works sought to freeze the country in time – with nostalgic images where some artists chose to exclude the modern world’s equipment such as electricity pylons and telegraph poles and wires, preferring instead to show a more traditional picture of bucolic country charm – though some presented a somewhat gloomy picture of Manchester, and other towns such as Rochdale and Oldham.


The last Arts event of the 2016/17 Season in May was a departure from the usual lecture pattern – a “Question Time” style discussion panel to debate: Powerhouse or Poorhouse: What is the future for the Arts in Manchester?  

The event was chaired by Felicity Goodey CBE and the Panel comprised  Wyllie Longmore, Nick Merriman, Dave Moutrey,  David Thacker and Eleanor Underhill.  You can learn more about them from their profiles below. 

This lively debate was held at the newly opened Stoller Hall, at Chetham’s School of Music, with special guest Sir Norman Stoller, who funded the Hall, amongst members of the audience. The event was preceded by an excellent short performance by students from Chetham’s, and afterwards a buffet supper enabled members of the audience to mingle with the guest members of the panel, to continue the discussion.

The idea for the discussion was triggered by the Northern Powerhouse proposal as well as an article by a distinguished Art critic who wondered if Manchester really needed any more culture, and indeed the panel not only gave impassioned arguments in favour of supporting more arts ventures in Manchester and the wider region–including other cities such as Liverpool and Newcastle–but also suggestions as to how this should take shape. The stimulating debate looked at issues such as Arts funding being very London-centric – and how Manchester and the other northern regions might stem this flow;  how to redress the consequences of Arts education in schools being run down; and how to reach out to engage some in the community who often feel that the Arts is a charmed circle that excludes them.

There were certainly points of disagreement and challenge within the panel but they were united in their belief to continue the work to keep the Arts accessible to all regardless of personal circumstances; to encourage further engagement in the community; and to support arts at the grassroots level as well as the better-funded or higher culture organisations. We hope that all those that attended the debate took these important points away with them to consider their future endeavours, whether as visitors, performers or organisers.

Photos from the event can be viewed here: Event Photos.

Panel Profiles

Chair – Felicity Goodey CBE

Felicity Goodey shaped and led the project which has relocated a major part of the BBC from London to Salford and the North of England.  She headed the team which won a fiercely contested bid for the BBC and on the back of it created ‘mediacity’, the biggest purpose built digital media centre in the UK. She led the team which designed, built and ran The Lowry, an international theatre and arts complex which has helped attract £1.5 billion private investment to Greater Manchester and contributes more than £ 29 million to the local economy annually. She set up and chaired the UKs largest urban regeneration company, Central Salford, which secured a further  £2.5 billion of private sector investment in 5 years. She was a founder director of the Northwest Development Agency, chairing the Tourism team which helped turn the region into a £ 14.5 billion tourism destination; founded and chaired the successful Cultural Consortium for the Northwest and was awarded a CBE for services to regeneration and the arts.

Her career began with the BBC. Experience as a senior correspondent specialising in industry and politics, together with a business career in media and education services, provided the foundations for developing and leading major public/private projects.  She currently chairs the Buxton Festival described by the Metropolitan Opera of New York as ‘One of Europe’s great little unmissable European Opera Festivals’; and by the Observer as ‘' A happy marriage of music , opera and books’!

Wyllie Longmore

Wyllie Longmore was born in Jamaica and has been resident in England since 1961.  He trained at the Rose Bruford College of Speech and Drama as an actor and a teacher and both these disciplines have informed his working life.

As an actor he has worked in Theatre in Education, in rep across the country and at the Royal National Theatre. He also has considerable experience in radio and television and as a director.

As a teacher he has worked in school, with youth and community groups, in drama schools and in the Department of Drama at Manchester University. He was the first Head of Acting at The Arden School of Theatre, a post he held from 1991 - 2002.

He has been an External Examiner at Salford and Thames Valley Universities; an advisor for the Arts Council and a member of ACE Regional Council Northwest from 2008 - 2012. He was Chair of Contact from 1997 - 2007 and has served on the boards of the Royal Exchange Theatre and the Greater Manchester Arts Centre (HOME).  He currently chairs PANDA (Performing Arts Network and Development Agency) in Manchester.

Dr Nick Merriman

Nick Merriman was appointed as Director of the Manchester Museum in March 2006. Since then he has focused its mission on promoting understanding between cultures and working towards a sustainable world and has overseen the refurbishment of most of the Museum’s permanent galleries. This, together with a major programme of public engagement, has led to a doubling of the Museum’s visitor numbers to 450,000 a year.

Prior to moving to Manchester, Nick Merriman was Director of Museums & Collections, and Reader in Museum Studies, at University College London, for 8 years. During this time, he developed new courses in museum and heritage studies, and created a new university-wide museum service. From 2004-6 he was a part time Fellow on the Clore Leadership Programme, undertaking a bespoke scheme of training and development in cultural leadership.

Nick began his career at the Museum of London in 1986, as Curator of Prehistory and subsequently Head of the Department of Early London History and Collections. While there, he led a pioneering project called ‘The Peopling of London’ which told the story of the capital’s cultural diversity from ancient times to the present. He studied archaeology at Cambridge University, and his PhD, on widening participation in museums, was published as ‘Beyond The Glass Case’. He has published widely on museum studies topics, was Chair of the International Council of Museums (UK) from 2001-2004, President of the Council for British Archaeology from 2005-2008, Chair of the University Museums Group from 2009-2013, Convenor of the Museums Association’s Ethics Committee 2008-2014 and is currently Chair of the Collections Trust.

Dave Moutrey

Dave Moutrey is Chief Executive and Director of HOME,

formed from the merger of Cornerhouse and Library Theatre Company in 2012 and he led the project to create the new purpose built venue that opened a year ago in May 2015.

HOME includes 5 cinema screens, education spaces, digital production and broadcast facilities, a 500 seat theatre, 150 seat flexible theatre, 500m2 gallery space, café bar, restaurant, offices and other ancillary spaces consistent with a production centre. It is a ‘making place’, providing new opportunities for artists and audiences to create work in a different way together, as well as a social and cultural hub.

Throughout his career, Dave has been involved in the leadership, management and marketing of arts organisations. He played a leading role in establishing the Cinema Arts Network, a national network of cross artform venues; spent eight years as Chief Executive of Arts About Manchester (now the Audience Agency); worked for two years as Marketing Director for City of Drama; and managed Abraham Moss Theatre for six years. Dave is also a qualified drama teacher and was until recently a practicing artist and theatre producer, with experience of over 30 community productions with Greater Manchester-based groups.

Dave is a Fellow for the Royal Society of Arts, a member of the Chartered Management Institute and a member of the British Academy of Film and Television Arts.

David Thacker

David Thacker was Artistic Director of the Octagon Theatre Bolton from 2009 until 2015 when he stepped down to take up the post of Professor of Theatre at the University of Bolton, taking on the new role of Associate Artistic Director at the Octagon. 

David has been an extraordinarily prolific director during his time at the Octagon directing thirty one productions as Artistic Director and three since as Associate Artistic Director.

During this time the Octagon has enhanced its regional and national reputation for the quality of its work. At this year's Manchester Theatre Awards his productions (including 'An Enemy of the People' and 'A View from the Bridge') received six awards including, all the major acting awards (Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Ensemble) and Best Production (An Enemy of the People). This is the first time that any director has achieved this in the history of the Manchester Theatre Awards and their predecessor, The Manchester Evening News Awards. David Thacker also received a personal achievement award for his outstanding achievements as Artistic Director.

David's first major role in British theatre was as Artistic Director of the Duke's Playhouse, Lancaster - at the time the youngest Artistic Director in the country. His success there led him to be appointed as Director of the Young Vic. During that time he was well known for his accessible and contemporary productions of Shakespeare and developed his well-documented close relationship with Arthur Miller, directing eleven of his plays in fifteen productions at the Young Vic, the National Theatre, the Octagon Theatre Bolton, in the USA, Israel and for the BBC.

From the Young Vic he moved to the RSC as Director-in-Residence where he directed nine productions including 'Pericles' for which he was awarded two Olivier Awards.

He then moved into television drama directing over 30 television films for the BBC, ITV, Channel 4 and WGBH Boston in the USA, including his critically acclaimed film of 'The Mayor of Casterbridge' and 'Faith' set in the 1985/5 Miners' Strike.

Eleanor Underhill

Eleanor Underhill works for the National Trust as the General Manager of Quarry Bank near Wilmslow, the site of one of the first cotton mills in the country, now run as a heritage site and visitor attraction. She’s worked for the National Trust for seven years.  Before this Eleanor worked in the local newspaper business, initially in advertising and operational roles, and latterly as the Managing Director of the Cheshire Guardian Series; but the demise of the local newspaper industry led her to seek a career change. Eleanor initially studied History at York University and is now relishing her involvement in a site of such historic importance, at an exciting time in its development, with a major £10m Heritage Lottery Funded project currently being delivered on site. 

2017-18 Season Preview

20th June, 2017

The 2016-17 Season finished on 19 June with the Manchester Lecture on Manchester Airport and the Lit & Phil Section Committees are working hard at putting the finishing touches to next year's programme. Here is a preview of what you can expect from the 2017-18 Season:

Session 1

The new Season will commence, as usual, with the AGM and lecture by a Lit & Phil member. Come September, it will be member Janet Wolff's turn to give a lecture on 'Art is Social:  ‘the visible meaning of a good picture’ after the Lit & Phil's Annual General Meeting on Wednesday 27 September.

Other Session 1 lectures will include:




Wednesday 27 September

Janet Wolff 

Art is Social: 'the visible meaning of a good picture’

Monday 2 October

Dr David Bellingham 

Legal and Ethical Title. The Selling Off of Art from Historical English Country House Collections

Tuesday 10 October

Ian Keable 

Charles Dickens – Conjurer

Monday 16 October 

Robert Young

Engineering with Graphene

Wednesday 1 November 

Ian Whelan

Development of new insect control technologies to overcome resistance to existing methods

Tuesday 7 November 

Mike Higginbottom  

Victorian Cemeteries

Tuesday 14 November 

Professor Manjit Dosanjh  

From Physics to Medical Applications

Tuesday 21 November

Professor John Fielding 

Aviation and the Environment

Tuesday 28 November  

Professor Michael Wood   

Why the Anglo-Saxons Matter: King Alfred and the Making of England

Monday 4 December 

Alan Segrott

Mersey Gateway

Wednesday 13 December 

Dr Michael Cannon

Antibiotics: the calm before the storm

Session 2




Thursday 25 January 2018

Professor Julian Price

Children's Language: how can it be influenced by parents?

Thursday 30 January 2018

Anthony Burton

Lit and Phil Museums: the role of learned societies in the creation of museums in Britain

Tuesday 6 February 2018

Michael Bailey

Railway Engineering - Yesterday and Today

Monday 12 February 2018

Professor Kevin Ryan

Cell Death

Thursday 1 March 2018

Derek McCulloch & Café Mozart

In the Beginning Was the Word – Singing the poet's song in a foreign land

Monday 5 March 2018

Professor Kenneth Letherman

James Clerk Maxwell

Thursday 15 March 2018

Georgina Ferry

Science from a Female Perspective

Session 3




Wednesday 11 April 2018

Professor Stephen Graham

Vertical Cities: from basement to rooftop

Tuesday 24 April 2018

Dr Robert Poole


Thursday 3 May

Professor Steve O'Rahilly

Genetic Obesity: why do we get fat and how does it make us ill?


* Please note that lecture titles are subject to change and update before the final programme information is released in the summer. Always check the Lit & Phil website for the latest details of lectures.

From June 2017 the Lit & Phil office hours will be reduced. The office will now be open on the following days:

Monday–Thursday, 9 am–5 pm

Please note that any phone calls made to the office on Friday will only be picked up on the following Monday, or if there is a Bank Holiday, the following Tuesday. If you are planning a trip to the office or the library and archives, please give plenty of notice to the office staff by phone or email.


Although the Lit & Phil 2016/17 Season is approaching the end, we will still be informing members of our recommendations for events and exhibitions to visit across the city this summer before our lectures recommence in September. Here the Lit & Phil staff, Julie and Kathryn, write about their recommendation for the Shirley Baker photography exhibition at the Manchester Art Gallery.

For the past few years, museums and cultural institutions across Manchester have collaborated to create a mélange of arts and culture at unique events across the city for one evening only, called ‘Manchester After Hours’. The events feature different venues and organisations working together to mix their respective art forms, from music to painting, photography to poetry, and fashion to history. Examples include last year’s ride on the steam train at MOSI which was accompanied by local Manchester music artists performing at different stops on the ‘journey’ while the conductor regaled the passengers with anecdotes from Manchester’s industrial past. This year included collaborations between literature organisers Bad Language and the Elizabeth Gaskell House to present an event of story-telling and performance; MOSI teamed up with the audio-visual artists from Islington Mill’s Engine House collective to creative installations projected onto the Avro Shackleton aircraft in the museum’s Air and Space Hall; and John Ryland’s library hosted two female audio artists whose work echoes and pays tribute to the pioneer of electronic music–Delia Derbyshire.

'Shirley Baker: Women and Children; and Loitering Men'


This year the Lit & Phil staff, Julie and Kathryn, attended a ‘first look’ event at the Manchester Art Gallery which was showcasing the work of photographer Shirley Baker (1932–2014). Baker was born in Wilmslow and despite not being well known her most prominent work is her post-war street photography depicting working class communities in Greater Manchester. This exhibition includes previously unseen colour photographs by Baker alongside black and white images and specifically focuses on her depictions of the urban clearance programmes of inner city Manchester and Salford in the 20 years between 1961 and 1981.

The opening night of the exhibition as part of Manchester After Hours was very popular with arts enthusiasts, locals and tourists alike. Aside from the usual considered discussions by small groups of visitors on the technique, style and composition of the pieces, there were equally many visitors joyfully reminiscing from the scenes depicted in the photos – war-torn buildings, outside lavatories, children’s dirt-smudged faces, questionable fashion choices and popular playthings. There was a sense that this exhibition was not just about viewing artwork but also partaking in the collective experience of many visitor’s own childhoods and memories.

The exhibition is also accompanied by additional events such as a free showing of the film ‘Love on the Dole’ set in 1940s Salford and based on the novel by Walter Greenwood. The film is showing on Thursday 15 June, 6.30 pm–8.30 pm; tickets are free but booking is essential.

‘Shirley Baker: Women and Children; and Loitering Men’ is free to visit and is on show at Manchester Art Gallery until Monday 28 August. Whether you lived through the era or not, Baker’s photography will certainly bring to life around you the people and places of post-war Manchester and Salford at this exhibition.

Photograph copyright

All photographs are © Shirley Baker


Local sculptor, printmaker and environmental artist, Cecile Elstein, returns to the Didsbury Arts Festival on1 and 2 July with a talk and Q & A based around the festival's 'Roots' theme. The talk is titled 'Roots, Refugees and Re(d)integration' and as well as an open discussion after the talk, the event will also provide the opportunity to view Cecile's artwork.

Cecile has been a member of the Lit & Phil since 1994 and has contributed to the Society both as a member of the Arts committee and as a speaker, giving an address to the Society on 18 January 2005 titled 'A Mindscape in a Landscape' – change as a moment of abundant potential.

Cecile Elstein – Benefice, 1980


'Roots, Refugees and Re(d)integration', 2 July 2017

3 pm – Wine and juice

             4 pm – Artist’s Introduction to open discussion 

6 pm – Close


This will be a very popular event so early booking is advised. There is also a very limited number of places so booking is essential. For more information please click here for the event on 1 July and here for the event on 2 July. Tickets can be reserved by clicking here.

You can view more of Cecile's artwork at


Top image information

Sculpture by Cecile Elstein, Dream, 1975


HOME are offering members of the Manchester Lit & Phil a discount on tickets to see the award-winning play Rose. For more information about the piece and how to claim the discount, please see the information below.



The Story of a Century 25 May-10 June

One of the leading actors of her generation, Academy Award nominee Janet Suzman makes a rare return to the stage in this one-actor tour de force.
HOME presents the first UK revival of Martin Sherman’s award-winning Rose, which premiered in 1999 at the National Theatre.
From her home in Miami, Florida, eighty-year-old Rose takes us on a journey through her long and tumultuous life, a life that charts the fate of Europe's Jews through the Twentieth Century and into the Millennium. A journey which begins in the shtetls of Eastern Europe and continues through Nazi-occupied Warsaw, British Mandate Palestine, America, Israel and the Occupied Territories. It is an epic story of persecution, displacement and survival told with passion, pathos and a wild humour. As the current refugee crisis engulfs Europe, and America’s history as a home for the persecuted comes under serious threat, this revival of Rose is topical and timely. 
Rose is directed by Richard Beecham, whose production of Arthur Miller’s epic Playing for Time at the Sheffield Crucible garnered rave reviews.
For performance times, venue details and bookings visit or call the box office on 0161 200 1500.


Janet Suzman


Director Richard Beecham
Designer Simon Kenny 
Lighting Designer Chris Davey 
Sound Designer Adrienne Quartly
Voice Coach Patsy Rodenburg 
Dramaturg Petra Tauscher 
Assistant Director Samuel Ward 


£26.50 - £10 
Concessions, groups and schools offers available. 
Subject to availability.

Lit & Phil Members click here to view discount information (you must be logged into your Member account to view)


Click the poster above to view the full information



In January of this year, the passing away of JOHN SPENCER BUCKLEY was reported to the Society. This obituary has been written by Sir Netar Mallick (Immediate Past President) with the contribution of John’s daughters, Helen and Charlotte.

John was born in Southport on 28th July 1943 to Margaret and Jack. His father was a public health inspector and his mother worked in healthcare. John spent his early years in Kendal, Cumbria, before moving to Heywood. He attended Heywood Grammar School and then studied architecture in Wigan.

John set up his own architectural firm, located in the city centre of Manchester and worked on a range of commercial and retail developments across the North West. John lived a life of service – to Manchester and to business. He was area chairman and a National Councillor of the Round Table, an active member of the Manchester Chamber of Commerce supporting Manchester’s bids for the Olympic Games and the successful hosting of the Commonwealth Games in 2002, and later a Governor at Salford City College. 

Outside of the professional sphere, John was a lifelong Bury Football Club fan watching the “Shakers” both home and away for over 60 years. He was also a lover of cricket and was a member of Lancashire County Cricket Club for many years. He was also a long standing member of the St James’s Club in Manchester.

John was a dedicated supporter of the Manchester Literary and Philosophical Society. This Society, founded in 1781 and one of the oldest in the country, is part of the warp and weft of the life of Manchester, attracting both academic and professional members from a wide catchment.  As such it was always going to attract John’s interest. He studied its history, regularly attended its meetings and eventually became a member of its Council and then its Secretary. He was not afraid of challenging anyone who he thought was not seeing the wood for the trees and insisted on developing a business-like approach which his successor is continuing.

John was a man full of intellectual curiosity, always learning. He travelled the world – Hong Kong, America, India and Europe – to further his understanding of history, culture and architecture and was planning to visit Israel and Palestine. He willingly gave of himself to those causes he cared for, supporting many voluntary causes over the course of his life. Most of all he was a good friend to many, dependable, caring and good humoured.

He married Susan Janet Maslin in 1977, and Sue was by his side throughout his career as his company secretary until she sadly died of Motor Neurone Disease in 2007.

John leaves two daughters Charlotte and Helen.

Following John's passing, a donation page was set up by his daughter Charlotte to raise money for the Motor Neurone Disease Association in memory of both John and his wife Susan. The webpage is still open for donations should anyone still wish to give money. Click here to view the Just Giving page.

New Blue Plaque Unveiling

29th March, 2017

The 250th Anniversary of John Dalton's birth was celebrated last year and to mark the occasion, the Royal Society of Chemistry created a new blue plaque commemorating the scientist, which was presented to the CEO of Joseph Holt breweries for its installation on one of their public houses. The presentation of the plaque was held on the same day as the Lit and Phil's Dalton Lecture, which was given in October 2016 by Professor Sir Kostya Novoselov.

The new RSC blue plaque celebrating our longest-serving President was unveiled on Monday 27 March 2017 at the Ape and Apple public house on John Dalton street. The President of the Lit and Phil, Dr Diana Leitch, was present at the unveiling along with Richard Kershaw (CEO of Joseph Holt) Professor David Garner FRS (Past President of the Royal Society of Chemistry), Dr Frank Mair (Chair of the Royal Society of Chemistry, Manchester section), Dr Marloes Peeters (Manchester Metropolitan University), Dr James Sumner (University of Manchester), and Gerald Hayes (Member of the Lit and Phil and RSC Historical Group).

Photos from the Blue Plaque Unveiling (taken by Dr David Leitch)

Richard Kershaw CEO of Joseph Holt's Brewery (founded 1849)  - great great grandson of Joseph Holt, President Dr Diana Leitch. Professor David Garner FRS, Past President of Royal Society of Chemistry

Dalton Entry next to Ape and Apple Pub

L-R: Gerald Hayes (Lit & Phil member and RSC Historical Group), Prof. David Garner, Dr Diana Leitch, Dr Frank Mair  (Chair of RSC Manchester Section), Dr Marloes Peeters (MMU), Dr James Sumner (University of Manchester) , Richard Kershaw (CEO Joseph Holt's Brewery)

President of Lit and Phil presents copy of John Dalton papers to Prof David Garner FRS Past President of the Royal Society of Chemistry who unveiled the plaque


Manchester Musical Youth

11th January, 2017

Many Lit & Phil members asked for details of Manchester Musical Youth's upcoming productions following their impressive performance at the Lit & Phil's Christmas event in December. We would like to thank the group and their excellent mentors for providing such top quality entertainment, a lovely evening was had by all.

As a way to support the young musical group, we are providing details of their next production (below). It is understood that the Saturday performance is already sold out so advance booking is highly recommended. Anyone considering booking should do so by contacting Z Arts via phone or online.

Manchester Musical Youth presents: Legally Blonde – The Musical

22 - 25 February 2017


Z-arts, Manchester, M15 5ZA

Tickets: £15 Adult, £10 Concession

Call: 0161 226 1912 or Visit:

Music and Lyrics by Laurence O'Keefe and Nell Benjamin. Book by Heather Hach.
Based on the novel by Amanda Brown and the Metro-Goldwyn-Mayer motion picture